With every move each of us creates data by which contributes to the unpredictable power of superhuman proportions that governs our lives in which we are no longer an individual but a dividend.
Marína Abramovič Po Sebe Neupratuje se společně se studenty Ateliéru Performance připojí k Datatata výstavě. Téma interpretace dat, uměleckými prostředky, zpracují prostřednictvím živé akce ve veřejném prostoru.
We will sound the former penitentiary on Cejl Brno.
If technology, in its broadest ramification, represents both the necessity and impossibility of a “living on” – from individual, to species, to general ecology – beyond what Buckminster Fuller famously evoked as the mission of “Spaceship Earth,” is the task of art to represent the possibility of a post-future of the post-human?
Brno has a great lexicographical tradition. Why not start with the music atlas of world characters, artifacts and phenomena from Brno?
Stanislav Abrahám (1977) is an audiovisual performer, sound artist, teacher. His activities are straddled between ambient, traditional music and club music, field recordings, radio documentaries, sound installations. Short sound performance will be a part of his presentation in Vašulka Kitchen Brno.
It's axiomatic that a computer is able to create any sound that a loudspeaker can make. But what about making computer music with acoustic sound sources?
Diverse forms of ascents with live elements, characteristic for the Bratislava underground scene.
Brno Artists in Residence and Vašulka Kitchen Brno is happy to announce an Open Call
for artists or theoreticians in the field of new media art of any nationality for residency
stay in June 2020 in The Brno House of Arts.
Further information about the residency program can be found at the webpage https://vasulkakitchen.org/en/residency.
“In 1991, after having experimentally interfaced my acoustic violin with a variable speed video cassette player, I bought a MIDI violin and a Pioneer Disk Player. Interfacing these instruments with a computer gave me an instant access to any frame of video on the disk as well as access to fast/slow and forward/backward movements. The initial software was written by Russ Gritzo and further developed and improved by Bill Heckel. Violin Power is a ongoing continuous project with an ever increasing ‘repertoire.’ So far I have made five videodisks and I change the program for every performance.”— Steina