This presentation explores the potential of AR as a tool to preserve the experience of time-based artworks no longer able to function in their original iteration due to damage, obsolescence, or other barriers. Elements such as moving image or kinetic motion could exist as virtual visual layers integrated with the original object, or alongside it. As an alternative to an exhibition copy or displaying an object with documentation of its past function, AR offers a unique method to connect time-based, work-defining elements to their physical anchors and keep such artworks accessible to viewers. By proposing the application of AR technology through case studies, some limitations will be discussed, as well as questions around ethics and authenticity.

Sasha Arden (pronouns they/them/their) is a graduate candidate in Conservation and Art History at the Institute of Fine Arts at New York University, specializing in Time-Based Media. Their previous experience includes installation of media-based artworks at the San Francisco Museum of Modern Art, managing media exhibits at the Oakland Museum of California, overseeing all audiovisual resources at the San Francisco Art Institute, and as adjunct Instructor for media production in the Sculpture Department at the School of the Art Institute of Chicago (SAIC). Sasha completed their Bachelor of Fine Arts at SAIC in 2004, and a Post-Baccalaureate Certificate in Writing at SAIC in 2005.