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Vašulka Kitchen Brno

Video playlists

9.5 2025 19h

Rouilleux & Fire Like Fire // Alternativa meets Vašulka Kitchen Brno

solo - duo - trio

A unique triple concert initiated by the Alternativa festival, where Cinder, Petr Vrba and Luboš Rezek met for the first time and a more permanent collaboration was established. The concert is also unique because the Alternativa festival is going beyond the borders of Prague for the first time with its concert series.

Koncert

Symposium The Vasulkas - Preserving Legacy

We would like to inform you about the symposium The Vasulkas - Preserving Legacy, organized by BERG Contemporary & The Vasulka Foundation on Saturday, May 10 in Iceland.   

15.5 2025 17h
Photo credits: Hochschuh & Donovan / artists

Katrin Hochschuh & Adam Donovan: CURIOUS TAUTOPHONE – TENSOR FIELD ONTOLOGY / opening

Vašulka Kitchen Brno cordially invites you to the opening of the exhibition Katrin Hochschuh & Adam Donovan: CURIOUS TAUTOPHONE – TENSOR FIELD ONTOLOGY on Thursday, 15 May 2025 at 5 PM at the House of the Lords of Kunštát. 

Vašulka Kitchen Brno & BAiR 2025

It is our pleasure to announce that for Vašulka Kitchen Brno 2025 residency program we selected media artist Cailean Finn. 

The decision was certainly not easy and we thank everyone else for their interest and the many excellent projects! 

9.5 2022 17:30
Komentovaná prohlídka

I Have No Time

Performances with the guided tour of the Time-Based Media Studio Exhibition, Ústí nad Labem

We kindly invite you to the guided tour of the exhibition I Have No Time by the Time-Based Media Studio of Jan Evangelista Purkyně University in Ústí nad Labem, which will present work created by the studio’s students accompanied by the series of performances presented during the exhibition tour.

Guided Tour of the Exhibition: 5:30 PM

Audiovisual performances with refreshments: 6 PM

Program

Cinematic #3 - Live Archive

A series of audio-visual performances based on original audio interactions with selected works from the digital archive of Steina and Woody Vasulka.

Authors: Vojtěch Groot, Jindřich Jandečka, Polina Khatsenka, Jan Krombholz, Karolína Hruboňová

Polina Khatsenka [15 min.]

The audiovisual collection is created through dysfunctional cymbal and granular synthesis. Improvisation, immersion into the substance of sound.

Jindřich Jandečka [13 min.]

An aural journey through the volcanic landscape and mosses. The composition was created as a combination of terrain’s sound records, granular synthesis, piano, and distorted sound.

Jan Krombholz [10-15 min.]

The soundtrack to the video Telc is an intuitive comment of a city snapshot, where the author spent a significant part of his life. The distorted view created with the video effect correspondents with foggy associations from childhood.

Vojtěch Groot [6.5 min.]

Free sound interpretation of visual perceptions with a focus on the confrontation of audible and visual feelings.

Karolína Hruboňová [7 min.]

The classical music from P.I.Tchaikovsky is replaced by samples and loops with a reference to voguing and the culture of boiler rooms.

Alpha

This duo brings together Beatbox and an experimental approach to soundpainting. Alpha are looking for a way to convey their musical ideas directly to the viewer while maintaining their own authenticity and pure rawness. Their focus is on natural sound sources but they’re not not afraid to combine them with synthetic sounds.

Authors: David Mirský a Lada Jaffe

The Time-Based Media Studio, led by Pavel Mrkus and Daniel Hanzlík, is focused on the creative mediums of video, sound, and computer technologies in the field of contemporary art. In doing so, it uses time work to develop the possibilities of the image, object or spatial installation. In terms of content and technology, it combines the practices of contemporary visual art, experimental film, sound art, interactive and performative forms.

Podcast FASTFUD with Pavel Mrkus & Daniel Hanzlík

The Exhibited Works

Vojtěch Groot’s audiovisual installation entitled The Limit State of the Black Box (2021) presents the viewer with the process of experimentation. The process of interaction of motors, generating various phenomena housed in a cube, is wirelessly broadcast and then projected. It is a process driven by the personal desire for knowledge through non-scientific research. This approach is not about empirical results but about the lived experience of experimentation. This almost haptic verification of reality is partially enveloped through a distanced presentation to the viewer.

Martin Marek’s printed listening guide entitled Hearing (2022) is created by an author who has long been involved with the medium of sound and auditory perception and perception in conjunction with textual instructions or guides. The ears, like the other senses, are the interface between the inner and the outer. Sound guides us, creates our idea of space and moves us through time. The freedom to listen allows us to create an acoustic environment that we directly influence, and which feeds back to us and others. While we cannot simply close our ears like our eyes and suspend the perception that reaches us, we can adapt, train and control them like an instrument. The Listening Guide discusses hearing as an activity that is in dialogue with the phenomena it encounters. By grounding ourselves in the present moment, it encourages us to approach hearing as tuning ourselves to something.

Peter Hanžl’s installation Mine Dream (2022) consists of three videos and field recordings. The central video captures views of the Central Bohemian Highlands, the Bílina mine, the Ledvice power plant and the site of the KK 1600 excavator. In the scenes, one can perceive a strong contrast between nature, the “artificial” reclaimed landscape, and the massive mine pits awaiting reclamation. A striking moment in the video is the view of two times of the day in which the dominance of nature and human activity alternate. In the daytime, wildlife can be seen and birds can be heard singing around the dump and mine. After dark, one can see the heavily lit mine pit with its towers and excavators and hear the incessant clatter of mining equipment.

The next two videos show different approaches to sonification of field recordings of the environment. The first of these refers to the gradual layering of the mined tailings, creating horizontal structures layered over time, the second refers to the spreading of soil from the stockpiles that continually reshape the landscape.

The Vašulka Kitchen Brno program is financially supported by the Statutory City of Brno and the Ministry of Culture of Czech Republic.

F
I
Vašulka Kitchen Brno
Center for New Media Art
Opening hours: Tue—Sun 10:00—18:00 (when exhibitions are open), otherwise Tue—Fri 10:00—18:00. Free admission.

Please contact us to arrange visits outside of normal hours.

Zapsání se do newsletteru

House of the Lords of Kunštát
Dominikánská 348
602 00 Brno-město
vasulkakitchen@gmail.com

  • Activities
    • Currently
    • Calendar
    • Exhibitions
    • Events
    • Education
    • Residents
  • Archive & Collections
    • VKB collection
    • VKB archive
    • Artists Included in the Archive
    • Video-multimedia-performance
  • Research Projects
    • Symposia
    • Vašulka Live
    • Projects
  • Publications
    • Published titles
    • Texts
    • Articles
  • Vašulka Kitchen Brno
    • Team
    • What is VKB?
    • Library
    • Collaboration
    • Contact
    • Support
    • Media
    • Documents
  • The Vašulkas
    • Biography
    • Catalogs
    • Photographs
    • The Vašulka Effect
    • Links